Nocturnal tourism is supposedly one of the big travel trends of 2025, and from star-gazing to truffle-hunting, there are plenty of places in Europe to do it. But where is this craving for darkness coming from? This week we speak to Anna Levin, author of two beautiful books about the impact of artificial light on the world around us, about why Europe's night skies deserve much better protection. We're also talking about the Baltic countries' move to cut their electrical cords with Russia, and the EU's attempt to tackle our cheap Chinese shopping addiction. 

Arson, vandalism, attacks on NATO vehicles: around Europe, mysterious acts of sabotage have been multiplying. And there's a pattern: the perpetrators were recruited on Telegram via accounts linked to Russian agencies. This week, we hear from Marta Vunš about how she and other journalists went undercover to figure out how this recruitment actually works. We're also asking whether Germany's nausea-inducing opera deserves its scandalised headlines, and why France has been low-key obsessed with a treasure hunt for the past three decades. 

Fewer expensive car chases, more moody shots and ambiguous endings: movies made in Europe are often very different from those made in the US. But Europe's more arty film output isn't just a product of our culture — it has a lot to do with how the industry is financed. This week, we're asking: why is European cinema the way it is, and should we be trying to change it?