Fewer expensive car chases, more moody shots and ambiguous endings: movies made in Europe are often very different from those made in the US. But Europe's more arty film output isn't just a product of our culture — it has a lot to do with how the industry is financed. This week, we're asking: why is European cinema the way it is, and should we be trying to change it?

We’re kicking off the new year with a heady mix of urban policy, cake-based scandal and political controversy. Find out which European city ranks as the most ‘liveable’ in Good Week, and dive into the fraud case embroiling Italian mega-influencer Chiara Ferragni in Bad Week. And in this week’s interview, hear from historian Quinn Slobodian about the parallel he sees between the current discourse around Israel-Palestine in Germany, and events 50 years ago.